WESTERN ART HISTORY COURSE
AND MODERNISM (PART I)
The course will be taught by artist, designer and professor Marcellus Nishimoto and will take place:
Saturday, January 25 in 2020
7h duration (from 9am to 12pm and from 2pm to 6pm)
Location: Color Space
Rua 105-D n.24
A maximum of 20 participants will be allowed.
BRL 300.00 (three hundred reais).
The amount is paid up to one day before the course. Payment can also be made by credit card (payments plus card interest).
Enrollment in the course is confirmed through a deposit, bank transfer or payment made directly at Espaço Cor. Payment entitles you to a 7-hour class. The class is not cumulative: once the class is missed due to absence, there is no replacement at another time or reimbursement of the amount paid.
Whatsapp 62 98519-7606 (Tatiana Pacheco - course director)
ABOUT THE COURSE FACILITATOR – MARCELLUS NISHIMOTO
Nishimoto studied Visual Communication and Graphic Design at the University of Brasilia (1999), the city where he lived for 17 years. The grandson of Japanese people, who provided the artist with direct contact with Japanese culture, in 2008 he returned to his hometown, Goiânia, where he now lives and works. Act as a visual artist, designer and art director in different modalities like fashion, branding, editorial and illustration. He also worked as a professor at a higher level in several graphic design disciplines (History of Art and Design, Typography, Graphic Analysis, Projects and TCC Guidance). He currently develops teaching work in the areas of Drawing , Watercolor and History of Art in the course The Art of Seeing located at Espaço Cor .
The objective of the course is to approach the various stages of the historical moment. The main artistic creations of these periods of art will be presented, with explanations about the works, the artists and the historical and social moment of the context. There will be a technical and critical analysis of the artistic productions and a discussion of the cultural impact that these works produced on society: their direct influences on the behavior and customs of each period.
NEOCLASSICISM, ROMANTICISM AND MODERNISM (part I)
FROM THE FRENCH REVOLUTION TO IMPRESSIONISM
- The French Revolution
- The return to the cult of Classical Antiquity
- Romanticism: escapism, subjectivity and individualism
- Symbolism: mystery and mysticism
- Realism: the new modern vision
The course lasts 7 hours, with the first part taking place from 9 am to 12 pm and the second part from 2 pm to 6 pm. We issue a course certificate.
BIBLIOGRAPHY USED IN THE COURSE
ARGAN, GC Modern Art - From Enlightenment to Contemporary Movements . Sao Paulo: Co. of Letters, 1996.
BARZUN, J. From dawn to decadence—the history of western culture from 1500 to the present day . Rio de Janeiro: Campus, 2002.
BATCHELOR, D.; FER, B.; WOOD, P. Realism, Rationalism, Surrealism—Art in the Interwar period . São Paulo: Cosac & Naify Editions, 1998.
BAUMGART, F. Brief history of art . São Paulo: Martins Fontes, 2007.
BLUNT, A. Artistic Theory in Italy 1450-1600 . São Paulo: Cosac & Naify Editions, 2001.
BROWN, J. Painting in Spain 1500-1700 . São Paulo: Cosac & Naify Editions, 2000.
CHIPP, HB Theories of Modern Art . São Paulo: Martins Fontes, 1999.
DÛCHTING, H. Masterpieces of French painting . Paris: Könemann, 2016.
FRASCINA, F. et al. Modernity and Modernism—French Painting in the 19th Century . São Paulo: Cosac & Naify Editions, 1998.
FRASCINA, F.; HARRISON, C.; PERRY, G. Primitivism, Cubism, Abstraction—Early Twentieth Century . São Paulo: Cosac & Naify Editions, 1998.
GOMBRICH, EH The History of Art . Rio de Janeiro: LTC Technical and Scientific Books, 1995.
GULLAR, F. Stages of contemporary art — from cubism to neoconcrete art . Rio de Janeiro: Editora Revan, 1999.
ISAACSON, W. Leonardo da Vinci . Rio de Janeiro: Intrinsic, 2017.
LEVEY, M. Painting and Sculpture in France 1700-1789 . São Paulo: Cosac & Naify Editions, 2000.
PEVSNER, N. Origins of modern architecture and design . São Paulo: Martins Fontes, 1996.
READ, H. A History of Modern Painting . São Paulo: Martins Fontes, 2001.
SLIVE, S. Dutch Painting 1600-1800 . São Paulo: Cosac & Naify Editions, 2000.
VILLAS-BOAS, A. Utopia and Discipline . Rio de Janeiro: 2AB, 1998.
VLIEGHE, H. Flemish art and architecture 1585-1700. São Paulo: Cosac & Naify Editions, 2000.
WOOD, P. et al. Modernism in dispute: art since the forties . São Paulo: Cosac & Naify Editions, 1998.
We look forward to your participation!
We appreciate your interest and attention.