WESTERN ART HISTORY COURSE

FROM THE EUROPEAN RENAISSANCE TO OUR DAYS

The course will be taught by artist and designer Marcellus Nishimoto and will take place in five modules:  

 

MODULE 1 - EUROPEAN RENAISSANCE 

Saturday, October 5th  2019 

7h duration (from 9am to 12pm and from 2pm to 6pm)

 

MODULE 2 - BAROQUE AND ROCOCO 

Saturday, November 09, 2019 

7h duration (from 9am to 12pm and from 2pm to 6pm)

 

MODULE 3 - NEOCLASSICISM, ROMANTICISM AND MODERNISM - PART I 

Saturday, December 07, 2019 

7h duration (from 9am to 12pm and from 2pm to 6pm)

 

MODULE 4 - MODERNISM - PART II 

Saturday, January 25, 2020 

7h duration (from 9am to 12pm and from 2pm to 6pm)

 

MODULE 5 - POST MODERNISM AND CONTEMPORARY ART 

Saturday, March 07, 2020 

7h duration (from 9am to 12pm and from 2pm to 6pm)

 

Location: Color Space 

Rua 105-D n.24

South Sector

goiânia

A maximum of 20 participants per module will be allowed.  

 

OF INVESTMENT  

 

Payment PER MODULE - R$ 300.00 (three hundred reais). 

Payment FOR THE TOTAL COURSE (5 MODULES) - BRL 1300.00 (one thousand three hundred reais), discount of BRL 200.00 (two hundred reais). The amount is paid up to one day before the start of the first module. Payment can also be made by credit card (payments plus card interest).

 

Enrollment in the course is confirmed through a deposit, bank transfer or payment made directly at Espaço Cor for each module.  Payment PER MODULE entitles you to a 7-hour class in the chosen module. FULL payment entitles you to all modules, totaling 35 hours of course. The class is not cumulative: once the class is missed due to absence, there is no replacement at another time or reimbursement of the amount paid.

 

Color Space 

Rua 105-D n.24

South Sector

goiânia

 

Whatsapp   62 98519-7606  (Tatiana Pacheco - course director)

ABOUT THE COURSE FACILITATOR – MARCELLUS NISHIMOTO  

 

Nishimoto studied Visual Communication and Graphic Design at the University of Brasilia (1999), the city where he lived for 17 years.  Grandson of Japanese people, who provided the artist with direct contact with Japanese culture, in 2008 he returned to his hometown, Goiânia, where he now lives and works.  Act  as a visual artist, designer and art director  in different modalities  like fashion,  branding, editorial and illustration.  He also worked as a professor at a higher level in several graphic design disciplines (History of Art and Design, Typography, Graphic Analysis, Projects and TCC Guidance).  He currently develops teaching work in the areas of Drawing ,  Watercolor  and History of Art in the course The Art of Seeing located at Espaço Cor .  

COURSE OBJECTIVE   

 

The objective of the course is to approach the various stages of Western art from the Renaissance to the artistic production of the 2000s. The main artistic creations of each period of art will be presented, with explanations about the works, the artists and the historical and social moment of the context. There will be a technical and critical analysis of the artistic productions and a discussion of the cultural impact that these works produced on society: their direct influences on the behavior and customs of each period.

COURSE PROGRAM

MODULE 1 - Saturday, October 05, 2019.

EUROPEAN RENAISSANCE 

FROM GIOTTO (1267-1337) TO ITALIAN MANNERISM

- three hundred

- Quattrocento

- High Renaissance

- The Cinquecento: the Protestant Reformation and Italian Mannerism

 

MODULE 2 - Saturday, November 9, 2019.

BAROQUE AND ROCOCO 

FROM COUNTER-REFORM TO THE CONSOLIDATION OF ABSOLUTISM

- The Catholic Counter-Reformation

- The Naturalism of Caravaggio (1571-1610) and Velázquez (1599-1660)

- The Court of Louis XIV: The age of etiquette

- Academicism

- The golden age of Dutch art

- The Rococo (from 1720 to 1770): a hedonistic and profane universe

- The Enlightenment

MODULE 3 - Saturday, December 7th  2019

NEOCLASSICISM, ROMANTICISM AND MODERNISM - PART I 

FROM THE FRENCH REVOLUTION TO IMPRESSIONISM

- The French Revolution

- The return to the cult of Classical Antiquity

- Romanticism: escapism, subjectivity and individualism

- Symbolism: mystery and mysticism

- Realism: the new modern vision

- Impressionism

 

MODULE 4 - Saturday, January 25, 2020.

MODERNISM - PART II 

FROM ADVANCED TO INTER-WAR MOVEMENTS

- The Belle Époque (1871-1914)

- Post-Impressionism

- The Fauvists

- Primitivism, Cubism and Abstraction 

- German Expressionism

- Futurism

- Dadaism

- surrealism

- Art Nouveau (1890-1920)

- Art Deco (1910-1939)

- Bauhaus: minimalism and functionality

- The golden age of Jazz

 

MODULE 5 - Saturday, March 07, 2020.

POST MODERNISM AND CONTEMPORARY ART 

FROM THE INTERNATIONAL STYLE TO THE 2000'S PLURALISM

- Post-World War II and the International Style

- Abstract Expressionism

- Op Art

- Pop Art

- New Realism and Hyperrealism

- Conceptual art

- The performance

- The installation

- Interactive art

- The return to figurative art

- Pop Surrealism

- Urban art

DURATION

 

each module  lasts 7 hours, with the first part taking place from 9 am to 12 pm and the second part from 2 pm to 6 pm.  We issue a course certificate.

BIBLIOGRAPHY USED IN THE COURSE  

 

ARGAN, GC Modern Art - From Enlightenment to Contemporary Movements . Sao Paulo: Co. of Letters, 1996.

 

BARZUN, J. From dawn to decadence—the history of western culture from 1500 to the present day . Rio de Janeiro: Campus, 2002.

 

BATCHELOR, D.; FER, B.; WOOD, P. Realism, Rationalism, Surrealism—Art in the Interwar period . São Paulo: Cosac & Naify Editions, 1998.

 

BAUMGART, F. Brief history of art . São Paulo: Martins Fontes, 2007.

 

BLUNT, A. Artistic Theory in Italy 1450-1600 . São Paulo: Cosac & Naify Editions, 2001.

 

BROWN, J. Painting in Spain 1500-1700 . São Paulo: Cosac & Naify Editions, 2000.

 

CHIPP, HB Theories of Modern Art . São Paulo: Martins Fontes, 1999.

 

DÛCHTING, H. Masterpieces of French painting . Paris: Könemann, 2016.

 

FRASCINA, F. et al.  Modernity and Modernism—French Painting in the 19th Century . São Paulo: Cosac & Naify Editions, 1998.

 

FRASCINA, F.; HARRISON, C.; PERRY, G. Primitivism, Cubism, Abstraction—Early Twentieth Century . São Paulo: Cosac & Naify Editions, 1998.

 

GOMBRICH, EH The History of Art . Rio de Janeiro: LTC Technical and Scientific Books, 1995.

 

GULLAR, F. Stages of contemporary art — from cubism to neoconcrete art . Rio de Janeiro: Editora Revan, 1999.

 

ISAACSON, W. Leonardo da Vinci . Rio de Janeiro: Intrinsic, 2017.

 

LEVEY, M. Painting and Sculpture in France 1700-1789 . São Paulo: Cosac & Naify Editions, 2000.

 

PEVSNER, N. Origins of modern architecture and design . São Paulo: Martins Fontes, 1996.

 

READ, H. A History of Modern Painting . São Paulo: Martins Fontes, 2001.

 

SLIVE, S. Dutch Painting 1600-1800 . São Paulo: Cosac & Naify Editions, 2000.

 

VILLAS-BOAS, A. Utopia and Discipline . Rio de Janeiro: 2AB, 1998.

 

VLIEGHE, H. Flemish art and architecture 1585-1700. São Paulo: Cosac & Naify Editions, 2000.

 

WOOD, P. et al. Modernism in dispute: art since the forties . São Paulo: Cosac & Naify Editions, 1998.

 

We look forward to your participation!

We appreciate your interest and attention.